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The art team of Carlos Magno and colorist Espen Grundetjern craft the visuals in Kang the Conqueror #1, guiding readers through scenic landscapes and sci-fi wonders. All the while, the pair sprinkle in key moments that explore Kang's continuity, such as the harrowing meaning behind his mask. Even though this is technically about multiple versions of the same person raising himself as his own child (it hurts just to think about that), Lanzing and Kelly use this as an opportunity to explore abusive relationships between parents and their children, and the unfortunate lessons kids learn in dangerous environments.
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This enhances the heartbreak of key moments, as it's clear that he lives with a lot of regret over his past. The issue is told from the perspective of the future Kang as he reflects on his life, which allows him to provide commentary on the story as it unfolds. The pair have worked together on multiple books, so they're a well-oiled machine and produce a truly riveting script.
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Writers Jackson Lanzing and Collin Kelly make their Marvel debut with Kang the Conqueror #1. RELATED: Marvel Just Gave Kang the Conqueror's Variant War a New Beginning Unfortunately, as Nathaniel spends more time with his future self, he discovers he doesn't want to grow up to be Kang and has to find a way to escape his own destiny.
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Kang explains that they're the same person and he has traveled back in time to find Nathaniel and teach him how to conquer the world. Entering the library triggers its defenses and Nathaniel is nearly killed before his adult self, aka Kang, steps in to save his life. One day, Nathaniel discovers the lost library of Victor Von Doom. There is little to challenge Nathaniel in the 31st Century, so he grows bored and yearns for adventure. Kang the Conqueror #1 tells the story of a young Nathaniel Richards, who may or may not be related to Fantastic Four's Reed Richards. Filled with action, heartbreak, and timey-wimey shenanigans, it is a great introduction to Kang that offers surprises even long-term fans won't see coming.
#Forgotten conqueror turn in series
The series is an exciting look at one of the Avengers' great villains. If you find yourself partial to the type of experimental charms that this release offers, then make sure you take the time to check this out.As Disney slowly reveals the multiversal mayhem that will plague the Marvel Cinematic Universe throughout Phase 4, fans everywhere find themselves asking one question - Who really is Kang? Luckily, Marvel has provided the answers in the pages of Kang the Conqueror, a new mini-series by Jackson Lanzing, Collin Kelly, and Carlos Magno that explores the mysterious origins of the time-traveling warrior. It’s a fitting end to an enjoyable piece of work. The final track – Ligeria Expires… – acts as an addendum to the previous one, while referencing back to the first in more ominous tones.
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I particularly like the middle part of the track, as the percussion and samples intrude on the previously sedate pace, birthing a kind of progressive sci-fi landscape.Īn Angel Throng creates a sensual soundscape of twisting curves and subtle melody, before the album’s title track introduces us to a landscape of fractured beats, droning atmospherics, and half-forgotten psychedelic echoes. Opener Ligeia Writes… depicts a form of scrabbling insanity, followed by The Tragedy, “Man”, which is a piece of ambient drone that’s surprisingly affecting.Ī Blood Red Thing That Writhes is initially understated and solemn, weaving a mournful tapestry as it unfolds and builds in intensity and power. Each track flows into the next quite naturally. The Conqueror Worm is 43 minutes of experimental soundscapes and grim ambience, taking in drone, noise, industrial, and dark atmospherics.Įach of the songs has its own theme and feel, while subscibing to the overall aesthetics of the subject at hand. This is the latest release from one-man UK-based experimental drone band Dunjin.